3/8/2024 0 Comments Comanche language wordsThe film remains with Naru’s position by sharing in her confusion.Īdditionally, while the dialogue between the Native characters was filmed in English, a Comanche language audio track will be available to Hulu viewers. The dedication to a Native perspective extends to the use of language in “Prey,” which deliberately omits the inclusion of subtitles when a band of French fur trappers appears in the story. “Native research and Native involvement impacts everything from start to finish,” Myers said. Myers herself crafted a cradleboard seen in the film. An internship program allowed young First Nations people to receive industry experience. A Native artist was recruited to create animations for the end credits, which unfold in the style of traditional Plains hide art. Native representation runs deeper than casting in “Prey.” The production consulted with a Pueblo musician to create wind and drum sounds with authentic instruments. So I was really thrilled that Dan picked me to work alongside him to be able to tweak the Native aspects and to add our culture.” “I don’t like the love stories and all that. “I grew up on ‘Predator’ and I like action,” Myers said. To authentically render the film’s Comanche heroes, Trachtenberg enlisted the help of producer Jhane Myers, a member of both the Comanche and Blackfeet nations. You can kind of see how it can work immediately.” “There’ve been some movies that have been original ideas of mine that have been very hard to push up the mountain this one moved very quickly, I think largely because this story is so pure and elemental - very uncomplicated. I didn’t want them to just say no because they had those plans,” Trachtenberg explained. “Part of why it’s called ‘Prey’ is because I felt like it would allow it to function similar to what ‘Star Wars’ was doing there were these offshoots like ‘Rogue One’ and ‘Solo.’ I knew that Shane’s movie was meant to be the start of something new. Although Fox was already developing Shane Black’s “The Predator” at the time (which was released in 2018), Trachtenberg believed his creative approach to the franchise would be strong enough to stand on its own film. The stripped-down premise naturally lends itself to the hunter-becoming-hunted dynamic of “Predator,” while also carrying a completely new locale and mood for the series. A Comanche woman named Naru (Amber Midthunder) is hungry to prove her abilities as a hunter, but she gets more of a fight than she bargained for when a deadly dreadlocked alien makes contact and begins to hunt for sport. “Prey” thoughtfully shifts the dynamic of “Predator” to the Great Plains, at a time when some Native Americans still live untouched by encroaching colonial forces. “I’ve worked in a lot of television where we’re always boxed in the format we have to work in. “We made the movie with the intent of making it a giant cinematic theatrical experience,” Trachtenberg said. “After the merger happened, that was when discussion of it coming to Hulu started,” Trachtenberg told Variety.īut the director wasn’t going to let a less glamorous distribution plan prevent him from putting out all the stops on the period details and bloody violence of “Prey.”
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